SDRR
saturation chameleon
Introducing SDRR
SDRR was built to satisfy almost all of your
saturation desires. It provides a comprehensive set of controls to manipulate the
character of the saturation to make it fit exactly. SDRR offers four different main
modes: TUBE, DIGI, FUZZ, DESK and reacts dynamically to the input signal. Each mode has
its unique crosstalk behavior, which can be switched off or exaggerated. A unique RMS
level difference metering mode makes level matching an easy task. SDRR can be different
things: a saturation, a compressor, an EQ, a bit-crusher, a subtle stereo widener, or
simply add some movement to your tracks with the DRIFT control. Add warmth, depth and
character to your tracks with SDRR. Don't forget to check out the free IVGI, which can
be seen as the little brother of SDRR. It is based on the DESK mode in SDRR. Since IVGI
is comparable to SDRR quality-wise, CPU-consumption wise and regarding aliasing (or
better the absence of aliasing artifacts), it's a good way to also get an impression of
how SDRR would perform on your system. SDRR is available in the following formats (all
included in one single license):
Windows 10 or higher (64bit):
VST, VST3, AAX Native
macOS 10.13 or higher:
AU, VST, VST3, AAX Native
The four modes in SDRR:
The TUBE mode consists of two different models of a two stage
tube preamplifier. These two models can be blended into each other with the CHARACTER
control. WARM focusses more on the transient smoothing and compressing character
associated with tubes, while SIZZLE captures the harmonics generated, when driving
transients much.
The DIGI mode: designed to
precisely add even and/or odd harmonics to program material. Gives a very controlled
sound. Again two models were created, which can be blended. The first one only generated
the first 4 harmonics. DIGI is great for adding harmonics and excitement to your tracks
without coloring the signal too much and might act as a proof, that digital saturation
can sound pleasant. Use the BIT->RATE control for bit crushing/sample rate reduction
effects. Combined with the DRIFT parameter it can get pretty wild!
The FUZZ mode: consists of two different models of classic
germanium fuzz stomp boxes. Both are heavily modified for lower distortion levels to
be suited even for mastering duties. The FUZZ mode takes advantage of the unique
properties of germanium transistors and delivers a very warm, cosy sound.
THE DESK mode: Klanghelm's
version of a flexible mixing desk channel strip plugin with just a few controls. It
features a sophisticated 2 band EQ with special designed curves to fit most material.
Furthermore it offers control over the transient response of the saturation and the
compression. The aim of the DESK mode is to be the only plugin needed for an at least OK
recorded track to shine - all with very few controls.
The first examples demonstrate how the different SDRR models perform on
an acoustic drum bus phrase: first dry, then
processed with each of the models. No other processing involved.
In the last drums example SDRR is used on each drum element and on the bus.
Next some clips to demonstrate SDRR on electric bass.
Downloads
Download the manual for more information
French version of the manual
(kindly translated by
TATOO MANDARINE studios
)
Download the free IVGI
IVGI's base sound is comparable to the DESK mode in SDRR and gives you an
idea, how SDRR performs quality-wise and CPU-wise. If IVGI runs smoothly for
you, SDRR will do the same. Also, if you like what IVGI does, you'll love
SDRR.